Passa ai contenuti principali

LaGiarina THEATRUM BRASCA NARDI JANNINI LaGiarinaArteContemporanea Verona


LaGiarina THEATRUM BRASCA NARDI JANNINI La Giarina Arte Contemporanea Verona


LaGiarina THEATRUM BRASCA NARDI JANNINI




"If the theater has a function it is to make reality impossible. I do not care about reproducing reality on the scene. I'm interested in the opposite, defending the scene from reality, bringing another dimension, another space, another time on stage ". Thus wrote the German playwright Heiner Müller. But what if this "theatrical scene" is taken to an art gallery and if curtains, Venetian blinds, painted backgrounds take the place of paintings, photographs, sculptures? Is it the theater that disappears in the exhibition space or the theatrical exhibition space? Is it the stage machine that experiments with the visual art dimension or with art that is based on the rules of the show? But why not think of fruitful, fluid, interconnected relationships between the two languages? After all the historical avant-gardes and the subsequent season of happenings and performances have led to stages outside the canonical spaces: in the streets, in the squares, in the nature. While art has become increasingly scenographic, behavioral, able to imagine and experiment with new possible worlds: to create works-events, places-events that connect with each other.


LaGiarina

LaGiarina THEATRUM Clara Brasca, Adriano Nardi, Ernesto Jannini mostra a cura di Luigi Meneghelli Da sabato 19 maggio 2018 LaGiarina ArteContemporanea Verona


THEATRUM BRASCA NARDI JANNINI

So the exhibition Theatrum does not intend to bring in the gallery the classical components of the theater (stages, scenes, "mystical gulfs"): it does not stop to analyze the operation of the stage, dismantling the gears and studying the possible variants. But it makes its rooms a theater, a world apart, a combination of masks, mirrors, double funds. And the works of the three artists on display are a clear testimony of this. The great papers of Clara Brasca are the same, where material and dematerialization seem to coexist on the same surface, ideal portraits that come from the depth of history and friezes that regenerate, restore the lost, to make it fly again (life). But it is also the great curtain of Adriano Nardi (Theater of War), where the Roman artist tries to give substance to a dark image of the destruction of the city of Goutha in Sirya. Here the look gives the impression of literally digging into matter and painting to be tormented, interrogated, broken. So much so that the energy of the gesture matches the notions of scene and canvas, of painting and theater. The interventions by Ernesto Jannini that work on the concept of "threshold" are more complex, as if he wanted to highlight that "non-place" that always remains the theater, that elsewhere that has to do with the dream or the unconscious. He paints a sort of puppet theater (Gran Torneo), surrounded by a moving curtain or a face on a table with a Venetian curtain in front (Pulcinella robotico). He loves the balance, the imbalance, the limit, beyond which any adventure, torment or fraud can occur.

 LaGiarina THEATRUM BRASCA NARDI JANNINI

But it will be said: no text, no direction, no set design can replace the physical presence of the actor. The body is the essence of the theater itself. It is stirred, it is alive, until the representation takes place. But really, if the play is missing, everything becomes a museum, furniture, a frame? Really if you turn off the "limelight", everything stops and falls into the territories of the trivial and everyday? Or is it not rather an unexpected spell: that is, that the spectator becomes an actor, that he who listens in the darkness of the audience, invites secret words, enigmatic movements, troubled eyes? Do not you look and together is you looking? Does not he come in and out, too, from the space of the play? Does it not turn into a "character in search of an author"? So maybe "experiment" in the gallery, it is already a theatrical ritual, a performative act, a stage performance.




LaGiarina THEATRUM BRASCA NARDI JANNINI

Adriano-Nardi, Art, Arte, Arte Contemporanea, arte-Verona, artisti, artverona, Bonazeta, Clara-Brasca, Ernesto-Jannini, Eventi, La-Giarina-Arte, LaGiarina, Luigi-Meneghelli, THEATRUM  -

LaGiarina THEATRUM BRASCA NARDI JANNINI LaGiarinaArteContemporanea Verona

LaGiarina THEATRUM BRASCA NARDI JANNINI

 Title: Manifesta 7 Days
    
Article Title: LaGiarina THEATRUM Clara Brasca, Adriano Nardi,............
Article Date: 05/14/18--02:57
Article Link: http://manifesta7.blogspot.com/2018/05/lagiarina-most............

da Francesco Bonazzi Bonazeta Vr -

Commenti

Post popolari in questo blog

Aletheia Editore AletheiaEditore FedericoFaccioli Contro l'editoria a pagamento (Federico Faccioli di Aletheia Editore) Video stile LeIene

Aletheia editore AletheiaEditore leiene"Contro l'editoria a pagamento" (Federico Faccioli di Aletheia Editore) video in stile Le Iene. #laghigliottina Corto contro l'editoria a pagamento. Fede - Forse cercavi:   Aletheia-Editore, Aletheia-editore-recensioni,  Aletheia Editore , editoria,  editore , Eventi,  la Ghigliottina , leiene, libri, libro, poesia, poesia visiva, racconto, romanzo, scrittore, verona - Fede verona chi ha pubblicato con aletheia giudizi su aletheia editore federico faccioli aletheia editore invio manoscritti aletheia editore writer's dream aletheia editore esperienze casa editrice non a pagamento aletheia casa editrice opinioni     SonoFedesenza Fede   Federico Faccioli  film trailer Associazione culturale no profit "Aletheia editore" ( http://www.aletheiaeditore.it ) #leiene approved aletheia editore recensioni aletheia editore pareri aletheia editore invio manoscritti al...

Francesco Bonazzi Bonazeta F Bonaz ricerca su Google

Francesco Bonazzi Bonazeta F Bonaz   Bonazeta , F-Bonaz , FBonaz , Francesco Bonazzi Bonazeta , Francesco-Bonazzi , Francesco-Bonazzi-Bonazeta , FrancescoBonazzi , Google , ricerca  a Verona VR, Italia Agora' Review dove si parla di: Alta moda Anna Wintour Aretha Franklin  Urltube  Beni di lusso Bunga bunga Bonazeta Calzature moda donna Camerino Campidoglio Case di moda  Nair Silvia Viscardini Soprani musica opera Chanel Ciampino Claudia Gerini Collezione Autunno Inverno primavera estate Cultura Dolce Gabbana Enel Energia Ennio Capasa Esposizione Universale Etta James Europa Fiumicino Ford Germania Gossip Italia Lady Gaga Milano Milano Moda uomo Missoni Personaggi TV Pop Rock Rhythm and Blues Roma Sabbia Squadre italiane Tempo libero Tendenze TV Venezia Vittoria Risi Web 2 YouTube --..A rcaDellaMemoria: Musica delle Sfere: Bach Rossini Monteverdi ... Manifesta 7 Days: Burning Flames di Denise verso le 50mila .....

Imola Bertozzi e Casoni Tranche de vie a Palazzo Tozzoni Museo San Domenico e Rocca Sforzesca di Imola Musei

  Bertozzi e Casoni Tranche de vie a Palazzo Tozzoni Museo San Domenico e Rocca Sforzesca di Imola Musei “Bertozzi & Casoni. Tranche de vie”, tre sedi per una grande mostra nella loro Imola. Dal 28 ottobre 2023 all’18 febbraio 2024 la cittadina romagnola dedicherà ampio spazio al celebre duo artistico, con un evento espositivo che coinvolgerà tutti e tre i musei pubblici imolesi: Palazzo Tozzoni, Museo San Domenico e Rocca Sforzesca. Curata da Diego Galizzi, direttore di Imola Musei, la mostra è organizzata dal Comune di Imola – Imola Musei, grazie al supporto di diversi soggetti locali tra i quali la Cooperativa Ceramica di Imola, partner principale del progetto. Per il sindaco di Imola, Marco Panieri, “La mostra “Bertozzi&Casoni. Tranche de vie” rappresenta il giusto tributo che la città di Imola dedica a Bertozzi&Casoni, artisti di talento, dotati di grande virtuosismo tecnico, che hanno vissuto la ceramica come territorio di ricerca e sperimentazione, senza c...